bullfighter pulling on bull's PR horn and tail; two men standing at right — El Mismo vuelca un Toro en la Plaza de Madrid, plate 16 from Tauromaquia, 1816
Francisco José de Goya y Lucientes

Not on View

red and black drawing of torso, legs and arms of a figure wearing robes, with red overlay garment with scroll designs on PL side — Study of a Figure in Priest's Robes, c. 1650
Jacob Jordaens

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round image; family of satyrs with father with panpipes at his PL hip carrying a basket of grapes on his head followed by little boy feeding leaves to a goat; bare-breasted mother guiding a goat on which a smaller child is riding at front of the group at left; two other goats are left; large tree behind figures at center — A Satyr Family Walking, 17th century
Stefano della Bella

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Mary seated wearing draping garment with many folds, outdoors in a landscape with tree in ULC, preparing to nurse nude baby Jesus who she holds on her PR knee with her PL arm — Rest on the Flight into Egypt, c. 1656
Pier Francesco Mola

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oblong, mottled, dark-brown calf leather binding containing 48 engraved plates on speckled paper — Studi di Pittura già dissegnati da Giambatista Piazzetta ed ora con l'intaglio di Marco Pitteri, 1760-1764
Marco Alvise Pitteri; Artist: Francesco Bartolozzi; Artist: After Giovanni Battista Piazzetta

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three chubby nude toddlers; two children carry a third, who holds a tray with three glass stemmed goblets — Three Children with a Tray and Three Goblets, c. 1607-14
Guido Reni

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bull at left being speared through its upper back and PR shoulder by a man on horseback at right, wearing a costume with cape and feathered hat and carrying a sword on his PL hip; grey ground — El Cid Campeador lanceado otro toro (El Cid Campeador Spearing Another Bull), 1816
Francisco José de Goya y Lucientes

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two men flanking a bull, each stabbing it with staffs, in the shoulder and PR side, in a spare grey landscape with trees at center middle ground — Otro modo de cazar á pie (Another Way of Hunting on Foot), 1816
Francisco José de Goya y Lucientes

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image of a Classical outdoor sculpture with two nude men--one at left and one at right--each with a torso of armor near their legs; each figure has a upraised arm; figure at left faces out of the picture plane, figure at right looks toward PL; head of horse on a brick column behind man at right; rearing horse to PL of figure at left; brick support wall with foliage growing between bricks at left center bottom; text on bases below egg and dart trim at left and right; clouds in sky; two sheets joined together — The Dioscuri of the Quirinale in Rome, 1546
Antonio Lafreri

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nude male figure within cloud opening TC brandishing winged object, standing over large bird; 4 horses, a trough, and nude male tumble from sky at C; nude reclining bearded figure along an embankment with spilling water jars at LL; 3 recoiling nude women to his L; village at R; trees, rocks in background — Fall of Phaeton, 1553
Nicolas Béatrizet; Artist: After Michelangelo Buonarroti; Publisher: Antonio Lafreri

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landscape with man and dog walking on cart path in foreground, with trees and ruined fences on either side of path; two silhouetted figures on path in middle ground; rather small castle on top of rugged mountain in background — Ruins of a Castle on a Steep Hill (Die Burgruine auf dem schroffen Felsen), 1818
Johann Christoph Erhard

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Le Zendale / Ou la Femme, qui revient de l'Eglise (The Shawl, or the Woman Returning from Church), 1775

Giovanni David

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crucified Jesus reclined next to seated Mary, comforted by another woman behind her; two other figures at L examine wound in Jesus' PR hand — Pietà, or the "Christ of Caprarola", 1597
Annibale Carracci

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Joseph at R looking at a large book, seated sideways on a ledge, with landscape beyond; Mary at L, looking toward Joseph and steadying infants Jesus and John the Baptist on cushions at LLC — The Holy Family with Saint John the Baptist, 1590
Annibale Carracci

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seated St. Jerome wearing a draping garment, looking upward; saint holds rock on top of book at R; crucifix at R; other books at L; tree trunks and foliage in background — Saint Jerome in the Wilderness, c. 1591
Annibale Carracci

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Holy Family at R with Joseph feeding donkey, Mary kneeling beside manger with baby Jesus and two angels; vertical beam at center of image separates four shepherds at L with two sheep, looking on — The Adoration of the Shepherds, c. 1606
Annibale Carracci

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standing male nude, looking up to PL, with left arm extended out straight with left hand in a fist; right hand on top of head; PR leg supporting weight and slightly ahead of PL leg, with PL foot turned outward; long curly hair — Standing Male Nude, 1760s-1780s
Nicolas-Bernard Lépicié

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Two Shields Supported by a Wild Man, 15th century

Martin Schongauer

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man with long, curly hair, looking up to PR, with foreshortened facial features; PR hand on chest, PL hand holds a chalice by the foot; small book on table before figure; mountian landscape with swirling clouds in background; text at bottom: "IIII. / PASSUS SUB PONTIO PILATO, / CRUCIFIXUS, MORTUUS & SEPUL- / TUS." — Saint John, Plate 4 from the series Christ, the Twelve Apostles, and Saint Paul, 1589
Hendrick Goltzius

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man with long hair and curly beard, wearing a hat and cloak decorated with pairs of staffs and shells; man holds a staff in his PL hand; small book in a bag in front of man; landscape in background with tree over man's PL shoulder; text at bottom: "III. / QUI CONCEPTUS EST DE / SPIRITU SANCTO, NATUS EX / MARIA VIRGINE." — Saint James Major, Plate 3 from the series Christ, the Twelve Apostles, and Saint Paul, 1589
Hendrick Goltzius

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man with curly beard and long curly hair, looking up to PL, with foreshortened facial features; knife under PL hand; rugged landscape behind figure; text at bottom: "VI. / ASCENDIT AD COELOS, SEDET / AD DEXTERAM DEI PATRIS OM- / NIPOTENTIS." — Saint Bartholomew, Plate 6 from the series Christ, the Twelve Apostles, and Saint Paul, 1589
Hendrick Goltzius

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balding, bearded old man in prayer; pair of keys and a small book before man; landscape behind, with round opening in rugged landscape over man's PL shoulder; text at bottom: "I. / CREDO IN DEUM PATREM OM- / NIPOTENTUM, CREATOREM / COELI & TERRAE." — Saint Peter, Plate 1 from the series Christ, the Twelve Apostles, and Saint Paul, 1589
Hendrick Goltzius

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balding older man with wavy beard, resting on hilt of a sword in his PR hand and his PL hand on a small book; text at bottom: "XII. / ET VITAM AETERNAM AMEN." — Saint Matthias, Plate 13 from the series Christ, the Twelve Apostles, and Saint Paul, 1589
Hendrick Goltzius

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balding old man with curly hair and long wavy beard, looking over his PL shoulder, with his PR hand on the side of his head and his PL hand resting on a book; mountain landscape in background; X-shaped cross over man's PR shoulder; text at bottom: "II. / ET IN IESUM CHRISTUM / FILIUM EIUS UNICUM, DOMIN- / UM NOSTRUM] — Saint Andrew, Plate 2 from the series Christ, the Twelve Apostles, and Saint Paul, 1589
Hendrick Goltzius

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heavy-set man with hair over his ears, balding on top; man holds a crozier in PR hand, with PL hand on chest; book in front of man; text at bottom: "V. / DESCENDIT AD INFERNA, TER- / TIA DIE RESURREXIT A MOR- / TVIS." — Saint Philip, Plate 5 from the series Christ, the Twelve Apostles, and Saint Paul, 1589
Hendrick Goltzius

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man with curly hair and beard, looking at a book held in his PL hand, holding a staff with a spear tip in his PR hand; cliff behind man with sea over his PL shoulder, birds flying over water; text at bottom: "VII. / INDE VENTURUS EST, IVDICA- / RE VIVOS & MORTUOS." — Saint Thomas, Plate 8 from the series Christ, the Twelve Apostles, and Saint Paul, 1589
Hendrick Goltzius

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man with short curly hair and thin curly beard, looking down to PR; man holds a blade on a staff over his PL shoulder and looks at a book; landscape with tree in background; text at bottom: "VIII. / CREDO IN SPIRITUM SANC- / TUM." — Saint Matthew, Plate 9 from the series Christ, the Twelve Apostles, and Saint Paul, 1589
Hendrick Goltzius

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balding man with tuft of hair at the front of his head and long hair at the the sides and back; man looks at a book; saw behind man over his PR shoulder; rocky landscape in background; text at bottom: "X / REMISSIONEM PECCATORUM" — Saint Simon, Plate 11 from the series Christ, the Twelve Apostles, and Saint Paul, 1589
Hendrick Goltzius

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two figures riding a horse at C across river; small groups of people wearing togas and classical dress on both banks, many clutching babies, screaming, and reaching out; trees at L; tents in background — Cloelia Crossing the Tiber on Horseback, c. 1545
Giulio Bonasone; Artist: Probably after Polidoro da Caravaggio

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male figure in impressive uniform with billowing sash mid-stride towards L, with sword at side; carrying large, tasseled staff in his PL hand; lines of men in distant background marching in spiral; castle in distant background — The Captain of the Infantry, 1587
Hendrick Goltzius

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image of statue of Apollo, standing naked except for sandals, with cloak draped over extended PL arm and quiver of arrows visible over PR shoulder; tree trunk at Apollo's PR, with snake climbing towards top; statue's round base has text carved along side; seated man in LRC wearing hat with upturned brim and collared tunic, holding writing utensil in PR hand, sketching on board; Latin text print along bottom of image — Apollo Belvedere (Apollo Pythius), 1590-1594 (published 1617)
Hendrick Goltzius

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torso and head of bare-breasted woman at center, with curly updone hair, wearing three necklaces, with her garment open in the front, looking upward toward PL, with her eyes drawn upward; another woman at right holding a small sickle in her PR hand draws up a cloth over central woman's lower body; woman at right has braids and wheat in her hair; putti in LLC; youth behind woman with grapes and grape leaves in his hair, holds his PL hand on central woman's PL shoulder and holds a bunch of grapes in his PR hand, over central woman's PR upper arm; text at bottom — Without Bacchus and Ceres, Venus Freezes, c. 1600
Jan Saenredam; Designer: Abraham Bloemaert; Publisher: Jacques Razet

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man with long curling hair and curly moustache; head tilted down, with foreshortened face; man reads from a book propped up at his PL elbow; cave-like landscape behind man, with tree over his PL shoulder; text at bottom: "IX. / SANCTAM ECCLESIAM CA- / THOLICAM SANCTORUM / COMMUNIONEM." — Saint James the Less, Plate 10 from the series Christ, the Twelve Apostles, and Saint Paul, 1589
Hendrick Goltzius

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old man with long curly hair and long wavy beard, resting his PL hand on the hilt of a sword and holding a book in his PR hand; rugged landscape behind man; text at bottom: "NAM MIHI VITA CHRISTUS / EST, & MORS LUCRUM." — Saint Paul, Plate 14 from the series Christ, the Twelve Apostles, and Saint Paul, 1589
Hendrick Goltzius

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Christ, Plate 7 from the series Christ, the Twelve Apostles, and Saint Paul, 1589

Hendrick Goltzius

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man with very short beard and long curly hair, with head tilted up toward PR; man holds book in his PR hand and has PL hand on his breast; cliff and rugged mountain landscape behind man; text at bottom: "XI. / CARNIS RESURRECTIONEM." — Saint Jude, Plate 12 from the series Christ, the Twelve Apostles, and Saint Paul, 1589
Hendrick Goltzius

Not on View

black and white image; two standing figures, R figure with backwards facing, holding an infant in her arms; R figure wearing veil, reaching out to touch infant's head; small, bearded figure in top C, PR hand raised in blessing; print is mounted on white sheet — The Virgin and Child with Saint Anne, c. 1500
Albrecht Dürer

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night scene along a body of water; female figure in LL corner lying on PL side, looking across water; house with lit windows in background, reflected in body of water but obsured by overhanging branches along upper part of image — Lied (Sorrow), c. 1898
Maximilian Lenz

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dark image of head and upper torso of Madonna with hair in braided updo, holding Christ Child near her PL shoulder; Christ Child has PL hand raised, with index finger pointing; reddish-brown ground with grey figures — Madonna and Child, c. 1600-1601
Attributed to Guido Reni

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two nude men fighting, with a standing man holding a club over his head; second man lying on his back, reaching up to grab standing man's groin; two other figures in ULC; cows, owls, and winged figure in URC; skull at bottom center; printed in green, yellow, and black — Hercules and Cacus, 1588
Hendrick Goltzius

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scene with ten figures in various states of undress, interacting in small groups throughout foreground (two on left, eight in center); goats and sheep scattered between groups; personified trees on hilltops at left and center in midground; third hill, buildings and bridge over river in background; airborne pegasus flying away in flock of birds — Parnassus Profaned, 1530-1540
Master HFE; Artist: Monogrammist HFE

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seated angel at right, wearing long dress and crown of laurel branches, holding a book and calipers; woodworking tools at bottom; sleeping dog, LLQ; somber putto seated on a wheel to left of angel; hourglass, bell and scales in URQ; tiny village and landscape with water, ULC — Melencolia I, 1514
Albrecht Dürer

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head and torso of bearded man, with curly hair, holding a thin club over his PR shoulder; PL hand on hip; bare-chested, with lion skin over his PR shoulder — Hercules, 1641-1642
Guercino (Giovanni Francesco Barbieri)

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Portrait of Georg von Roggenbach at age 38, 1554

Hanns Lautensack

Not on View

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